Art

ABOUT

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My art practice is an experimental visual ethnography of personal and overlooked spaces. Through a mixed media approach that ranges from writing, photography, creative direction, installation to film. I strive to create emotive spaces, reveal stories, memories, histories and intrigue the viewer.
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Since 2016 I have been the creative director of EYESORE, a platform documenting and communicating experiences of the built environment. In 2018 EYESORE was part of the exhibition ‘Print! Tearing It Up’ exploring independent British magazines at the Somerset House in London.

For an extended portfolio or CV, please drop me an email at hello@ninavukadin.com

EXHIBITIONS & PUBLICATIONS

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SHOWS

‘Bal’ Conference / Improper Walls / Vienna, Austria / 2023
Screening of ‘KOLEKTIV’ documentary as part ‘bal’, a conference that dealt with queer feminist perspectives of artists, curators and researchers from the Baltics and Balkan

Beldocs (Belgrade Documentary) Festival / Yugoslav Film Archive / Belgrade, Serbia / 2022
Premiered ‘KOLEKTIV’ as part of the special screenings programme

Weiße Box / Wischatal, Austria / 2021
Memory Box installation, set up during a series of dinner events curated by Florinda Fürst
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Print! Tearing it up! / Somerset House / London, UK / 2018
EYESORE magazine was presented in this exhibition which looked at theindependent British magazines changing the world

A Print / Studio Nock / Gothenburg, Stockholm, Sweden / 2018, 2017
EYESORE magazine was selected to be part and on show in the open archive of architecture-based publications

21st Century Faith / The Workshop / London, UK / 2017
Exhibited “3 AM Revelations” as part of a group show questioning faith as a human feeling in the 21st century
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Undergraduate Research Forum / Chelsea College of Arts/ London, UK / 2016
Presented project “Designing Visual System”, an abstract visualisation of the process of designing visual systems

Publications

2023 / Magazine / EYESORE / Issue 5
‍‘Archiving the old cloud’
Interview with Maria-Magdalena Ianchis
‘An intangible home’
Essay about the project ‘Na ručak kod bake i deke’

2021 / Magazine / Fingerfood magazine / Issue 1
‘Na ručak kod bake i deke’
Essay about the project ‘Na ručku kod bake i deke’

2020 / Book / Spolka / Mapping the In-between: Interdisciplinary Methods for Envisioning other Futures
‍‘A global invasion of urban amnesia’
Essay inspired by Spolka’s summer school in Košice, Slovakia

PRESS

2022 / Online / Oblakoder
‍‘O duhu umetničkih kolektiva i grada – KOLEKTIV’ / Marija Milić
Interview about the premiere of ‘KOLEKTIV’ documentary as part of Beldocs festival

2022 / Online / Kajet Digital
‘KOLEKTIV: INTERSECTIONS AND JOURNEYS ACROSS BELGRADE’
Article about ‘KOLEKTIV’ documentary

2020 / Online / Architecture today
‍‘Page Turners’
Article about EYESORE magazine and our editorial approach

2018 / Online / Sleek Magazine
‍‘5 Forward-Thinking Indie Mags Changing the Face of Print’ / Megan Wallace’
Article about EYESORE magazine in relation to the exhibition ‘Print Tearing it Up!’

Memory Box

Installation

Installation of memory triggers inspired by my grandparents' histories, in the form of objects, photographs, sounds, text and food.

Na ručku kod bake i deke

Photography
Writing
Sound

Na ručku kod bake i deke (lunch at my grandparents) is an on-going project exploring my grandparents' intimate everyday moments, our relationship and its legacies.

EYESORE

Medium

Media platform dealing with documenting and communicating the experience of the built environment.

EYESORE Issue 4
Creative direction & editorial design

KOLEKTIV

Documentary

I co-directed a documentary showing a journey across Belgrade, meeting with a series of artists and collectives whose work reflects, re-imagines and re-creates their city. Premiered at Beldocs Festival in 2022.

Photography
Book

Project documenting my intimate memories through spaces in Belgrade.

3AM revelations

Installation
Photography
Writing

Project exploring the concept of 21st century faith through my walks around Belgrade.